PennWest California’s Theatre Department is preparing to bring the beloved musical Into the Woods to the stage this spring, offering audiences a fresh yet faithful take on Stephen Sondheim’s iconic work.
Directed by recent graduate Quenten Zboyovsky, the production blends classic storytelling with an immersive staging style that places the audience at the center of the action.
Zboyovsky, who graduated in May with a background in musical theatre and theatre arts, stepped into the director’s role shortly after his time as a student performer. His transition from actor to director has shaped the rehearsal process and his connection with the cast.
“Just having been a student and an actor a few months ago made it really easy coming in,” Zboyovsky said. “It creates a different comfortability with being open and understanding the needs of an actor, especially with a show this long and large in scale.”
One of the defining elements of this production is its use of a thrust stage, where the audience surrounds the performance on three sides. This staging choice creates a more intimate and dynamic experience, allowing each audience member to engage with the story from a different perspective.
“It gives you a different perspective wherever you sit in the theater,” Zboyovsky explained. “You’re getting different faces, different reactions, and essentially a different experience depending on where you are.”
Rather than reimagining the musical with modern or abstract elements, Zboyovsky chose to stay true to Stephen Sondheim’s original vision. His approach focuses on highlighting the strength of the narrative and the timeless themes already embedded within the script.
“I didn’t want to modernize or make any sort of abstract statement,” he said. “I think the work is great as is, so I really honed in on the narrative that has been beloved and performed throughout generations.”
Into the Woods weaves together familiar fairy tale characters while exploring deeper themes of consequence, responsibility, and the complexity of human desires. Through its layered storytelling and emotionally driven performances, the show challenges both actors and audiences to look beyond the surface of traditional fairy tales.
With a large cast performing in an intimate space, the production emphasizes connection and immediacy, bringing the audience closer to the performers and the story itself. This closeness enhances the emotional impact of the show and highlights the collaborative effort behind the production.
“This show has been honestly one of my favorite ones to work on. The bond we have built among the cast is so amazing and something ive never experienced before. It refreshing to be in a show with all of your best friends” Said by Kayla Brill, who plays the baker’s wife.
One of Sondheim’s most popular works, Into the Wood follows a Baker and his wife, who wish to have a child; Cinderella, who wishes to attend the King’s Festival; and Jack, who wishes his cow would give milk. When the Baker and his wife learn that they cannot have a child because of a Witch’s curse, the two set off on a journey to break the curse. Everyone’s wish is granted, but the consequences of their actions return to haunt them.
As opening approaches, Zboyovsky encourages students and community members to attend and experience the production firsthand.
“We’re in a very small space with a very large cast, so tickets are going fast,” he said. “Please, please, please come see the show.”
Into the Woods will be performed at PennWest California this spring, with opening night occurring Friday, April 17 at 7:00 PM. Students are encouraged to attend and support a production that combines classic musical theatre with a uniquely immersive staging experience.
